50 stars gathered in Hong Kong this night, but they still couldn’t save Hong Kong movies | Literature City

The 42nd Hong Kong Film Awards has just ended.

As the most grand awards ceremony in Hong Kong every year, this year’s Hong Kong Film Awards is still full of stars.

In the evening, many media and audiences stayed at the Hong Kong Cultural Center, waiting to see the red carpet event. As expected, there were constant surprises.

The Chairman of the Academy Awards, Er Dongsheng, dressed in a black suit, took the lead in making an elegant appearance, kicking off the awards ceremony.

But most of the shots still focus on the actresses walking on the red carpet.

The first thing the camera showed was this year’s most popular candidate for Best Actress, Yu Xiangning.

She was nominated for “Under the Sun” and was awarded the Best Actress Award at the Hong Kong Film Directors Guild and Hong Kong Film Critics Society awards.

The media’s sense of smell is very sensitive. Sure enough, Yu Xiangning, who was wearing a gold halterneck sequin dress, successfully won the Academy Award for Best Actress, and her career has entered a new level.

Carina Lau also confidently appeared on the Hong Kong Film Awards red carpet.

She wore a white strapless evening dress with a wraparound design and silver tassels all over her body. The queen was full of aura and very domineering.

In addition, 48-year-old Lin Tai Lin Xilei also gained a lot of attention.

Wearing a black gauze off-shoulder long dress with a slight smile on her face, she is so charming that many people say that time has never failed to defeat beauty.

In addition, there are also many newcomers to Hong Kong films who are unfamiliar to mainland audiences, and their red carpet performances are also stunning.

Malaysian artist Lim Ming-chen wears a see-through skirt, which is sexy yet a bit cute.

Female singer Stephy Tang showed off her sexiness with Lin Mingchen in a low-cut see-through outfit.

Actor Wang Danni looks tall in a shell dress, especially the wings on her shoulders are very decorative.

Newcomer Wu Bing, who was nominated for “One Person Wedding”, even wore a wedding dress to walk on the red carpet.

However, her cute and youthful appearance seems to be incompatible with the glitz and glamor of the entertainment industry.

Although the red carpet alternates between old and new, more than 50 celebrities gathered together, and it looked very lively.

However, as one of the three major awards for Chinese-language films, with the gradual decline of Hong Kong films, the influence of the Academy Awards has gradually ceased.

Whether it was a red carpet ceremony or an award ceremony, from the beginning to the end of the 42nd Academy Awards, Pigeon saw three levels of “joy and sadness”.

Between sadness and joy, it seems to indicate that the future of Hong Kong movies is not bright.

Having just finished the Hong Kong Film Awards awarding process and knowing all the results, Brother Pi might as well talk to you first about what is “joyful” and what is “sad” about this year’s Hong Kong Film Awards.

The first great joy: the sixth middle school god, Tony Leung won the Best Actor again, and Carina Lau was discharged from the air

Among the old Hong Kong dramas we are familiar with, Tony Leung is destined to be the one irreplaceable.

Although his reputation is not as good as “Double Weekly”, in terms of performance, Tony Leung has the ultimate fame and honor.

Prior to this, he had won the Academy Award for Best Actor five times.

At this year’s Academy Awards, Tony Leung was nominated for “Goldfinger” and competed with Lu Zhenye, Huang Zihua, Lin Baoyi and Dapeng for the Best Actor.

Perhaps because he thought he would not win the award, Tony Leung did not attend the Academy Awards ceremony this time.

But unfortunately, he was not able to witness his sixth title as emperor, and also lost the opportunity to personally hold this legendary trophy.

Tony Leung, who has won the Best Actor six times, has become a monument of Hong Kong movies. There is no doubt about this.

It is worth mentioning that it was his wife Carina Lau who helped him lift the trophy.

There are also two interesting episodes at the scene.

First of all, Carina Lau changed out of the fringed dress she wore on the red carpet and wore a golden lobster black dress.

Although it is Schiaparelli’s 2024 spring and summer series haute couture, it still looks a bit funny compared to the model.

This also sets the tone for the second episode.

Later, because her husband successfully won the cup, Carina Lau couldn’t hide her excitement and started a “contradictory” statement in front of Louis Koo and a group of celebrities.

She lamented that her husband did not give others the chance to win awards, and at the same time, she said that Tony Leung had put in 500 or 1,000 points of effort and called him a “great actor.”

Such a compliment made Tony Leung, who was connected through the air, unable to listen anymore:

“I have said that he is not a ‘great actor’, but a good actor.”

Then he covered his mouth and started to smile sweetly, making the guests laugh.

Later, Carina Lau and Tony Leung also showed off their affection online, and Tony Leung also affirmed Carina Lau for helping him: “Of course, I still want to thank you, Sister Carina, for your constant encouragement and support.”

This is undoubtedly the most joyful and happiest scene at this year’s awards ceremony.

In fact, although Tony Leung has 6 trophies, it was already 19 years ago since his last best actor.

Congratulations to Tony Leung for creating a myth of the times, and congratulations to Hong Kong movies for giving birth to another legend.

The second great joy: “The Three Evils” won the grand prize, and Sammo Hung deserved the top spot.

At the Academy Awards, there is “Best Asian Chinese Film”. Its predecessor was “Best Cross-Strait Chinese Film”, which commends outstanding films from across the Taiwan Strait and three places.

The last award-winning film was “Seaweed”, I don’t know if you still remember it.

If we talk about the previous one, it was more or less to give director Er Dongsheng face.

This year’s edition of “Zhou Chu Eliminates Three Evils” is truly worthy of its title.

“Zhou Chu Destroyed Three Evils” set off a phenomenon-level movie viewing craze in the three places across the Taiwan Strait.

Its rich connotation, the superb performances of the actors and the artistic attributes of the film are all well-deserved for this award.

The fact that the Academy Awards can show recognition for such a film also shows that the judges are working hard to vote for good films.

In addition, there is another award at this year’s Academy Awards, which is a surprise for Pi Ge.

That is to award the most prestigious Lifetime Achievement Award to Sammo Hung.

Sammo Hung is wearing a pink suit, with fair hair and a childish face, and is in good condition.

When receiving the award, my wife was still down there showing her heart to each other in celebration, and the two of them were so sweet.

You know, Sammo Hung is 74 years old this year.

Although his international influence is not as good as that of Jackie Chan, in the Hong Kong film industry, Sammo Hung is the well-deserved eldest brother.

He studied under Yu Zhanyuan and later followed Han Yingjie, becoming a leading martial arts instructor.

After that, he accumulated a lot of experience in filming. The Hung family members are full of talents and have made the most outstanding contributions to Hong Kong action movies and even world action movies.

Sammo Hung is also the winner of two Academy Awards for Best Actor.

Giving him the Lifetime Achievement Award today is an official recognition of Sammo Hung’s contribution.

It can also be regarded as an end to the youth of Hong Kong movies for us movie fans.

The third great joy: Dapeng shows his responsibility as a mainland filmmaker by playing with treasures, and he can be called “Mr. Big Scene”

The only mainland element at this year’s Academy Awards may be Dapeng from the cast of “The Eighth Suspect”.

From the very beginning as a web drama director to now a well-known director and actor who can stand alone and steadily output excellent works, Dapeng’s progress over the years is obvious to all.

It is worth mentioning that in “The Eighth Suspect”, Dapeng’s acting skills are superb and stable, and he did not lose at all against Lin Jiadong.

The performance is remarkable.

Today’s Dapeng has long become Mr. “Big Scene”.

He is not at all afraid to go to a stage like the Academy Awards. There were two very interesting episodes on the red carpet and award ceremony.

The first one was on the red carpet. The photographer wanted Dapeng to jump up and take pictures.

Not only did Dapeng not object, but he also jumped three times in cooperation.

Each time he got taller and his expression became more exaggerated.

After dancing, we started taking pictures, showing off our true qualities as a comedian.

Secondly, although Dapeng is the “accompanying” actor, at the Academy Awards, he was the complete “atmosphere group”.

As a presenter, Dapeng presented the award to Liang Yongting for Best Supporting Actress.

But it was also the first time for Dapeng to go to the Academy Awards, and it was also the first time to present an award to someone else. He suddenly started talking about the “Supporting Actress Award” as the “Actress Award.”

Fortunately, he reacted in time, corrected the slip of the tongue and added, “Best Supporting Actress! Future Best Actress!”

Not only that, Dapeng in the audience is also in charge of the atmosphere team.

His position was next to David Jiang. When he heard that David Jiang had won the award, he and Lin Baoyi immediately applauded him, with smiles on their faces.

When the Best Actor was presenting the award, he also interacted with Carina Lau on the stage and accepted teasing. He was really full of confidence and courage.

It can be said that Dapeng went to the Academy Awards on behalf of mainland movie stars and did not disgrace us in any way.

After watching Triple “Happiness”, Brother Pi had to reorganize his thinking and deal with the decadence shown intentionally or unintentionally at this year’s Academy Awards.

And the triple deep “sadness” is bred in this “decadent phase”.

The first tragedy: Yang Ying’s high-profile comeback caused controversy and was ridiculed as having “nothing to do with the movie”

Since the Crazy Horse show, Yang Ying has rarely appeared in the public eye.

However, this time at the Academy Awards, she appeared at the award ceremony as a presenter.

On the red carpet, Yang Ying wore a three-dimensional white haute couture dress.

Appearing on the scene with Feng Delun, the aura is enough.

When asked questions, Yang Ying can still speak fluently in Cantonese, which shows that she has done a lot of homework before.

But despite this, Yang Ying, who made a high-profile appearance, still received negative comments from many netizens.

This evaluation mainly comes from two aspects.

One, I haven’t seen her for a long time. Yang Ying’s figure seems to be a little out of shape. She is no longer the kingly figure she once was on the red carpet.

In the raw picture, Yang Ying has a slightly bloated figure and a round face. The wrapping effect only magnifies this defect, making her look very ordinary.

Another, although when awarding the Best Asian Chinese Film, Yang Ying specially changed into a less high-profile outfit.

But still can’t convince the public.

This is not because of her outfit problem, but mainly because Yang Ying’s status in movies, especially in the film industry, is almost non-existent.

She has no outstanding works, no outstanding awards, and no particularly outstanding achievements.

It’s really puzzling that a person who has nothing to do with the Academy Awards comes to be a guest presenter.

You know, before she gave awards to others, it was either Carina Lau or Tsui Hark.

Yang Ying, the guest, is more or less unsure.

Although she was born as a model in Hong Kong, when she returned this time, she was suspected of not being able to develop in the mainland and trying to gain traffic.

Yang Ying herself may also be aware of this. Throughout the award ceremony, she was not as calm and confident as before. She was a little timid and did not dare to speak.

Moreover, the awards conversation between her and Feng Delun was also suspected of being embedded with a “takeaway” advertisement.

Er Dongsheng was holding the “financier’s” takeout bag wildly below, making the scene very embarrassing.

I don’t know if it’s intentional, but it makes Brother Pi feel a bit low.

The second tragedy: Dapeng rubs shoulders with the best actor, Tony Leung is mediocre and becomes the emperor, and the “mainland” best actor continues to lose weight

In fact, in the previous prediction, Brother Pi felt that the best actor this time would probably be Dapeng.

But things went counterproductive, which is really sad.

Why?

It’s not that I’m selfishly trying to make up for the mainland movie stars, but if Dapeng can win the award this time, he should be considered worthy of it, and it can be regarded as breaking the embarrassment of “0 Academy Award Best Actor” among mainland movie stars.

Let’s analyze the five nominated films one by one for everyone.

Lu Zhenye in “Diary of a Young Man” and Huang Zihua in “Vicious Tongue” have almost no outstanding performances.

Although the movie has a good reputation, they themselves cannot support the title of “Actor”.

Lin Baoyi of “Under the Sun” has sufficient strength and qualifications, and she plays a villain role in the film, which is very brilliant.

If he wins an award, there’s nothing wrong with that.

But the only problem is that the actress has basically booked Yu Xiangning for “Under the Sun”. According to the historical unspoken rules of the Academy Awards, generally no film can win the title of “Empress” at the same time.

Therefore, the possibility of Lin Baoyi winning the Best Actor becomes very small.

There are two left, one is Tony Leung in “Goldfinger” and the other is Dapeng in “The Eighth Suspect”.

Both movies received poor reviews: one was 6.1, the other was 6.0.

But regardless of the poor reputation, purely from a performance perspective, Dapeng is more qualified to play the role of Pi Ge, the “Academy Award Best Actor”.

Because in “Goldfinger”, Tony Leung’s performance was too mediocre compared to his previous self.

Moreover, there are many scenes between him and Andy Lau in the film. In comparison, it is difficult to judge which one is higher or lower.

Tony Leung is still the same Tony Leung, but because he is Tony Leung, our expectations will always be higher.

In such a commercial movie, Tony Leung’s winning of Best Actor seemed a bit “forcible”.

On the other hand, Dapeng’s performance is indeed outstanding.

It’s the kind of brilliance that people don’t expect.

This is also the reason why Brother Pi stands on Dapeng.

According to the history of the Academy Awards, Best Actor is rarely awarded to commercial films, especially commercial films of poor quality.

So this award is a bit unexpected.

If Dapeng wins the award, it will be groundbreaking for mainland movie stars, and it will also be a huge increase in popularity for the Academy Awards and Hong Kong films.

However, the Golden Rooster Award for Best Actor can be awarded to Tony Leung, but the Academy Award is unlikely to be awarded to Dapeng.

Because the Academy Awards have always been conservative and are a small-circle game.

This is undoubtedly another level of sadness for Hong Kong movies.

The third level of sorrow: the old people are retreating, and the newcomers cannot hold up the pillars. Where is the road for Hong Kong movies?

This Academy Awards seems to be the epitome of Hong Kong movies.

Throughout the Academy Awards, almost all the people we could recognize by name were old people who had been around for many years.

In addition to Tony Leung, Paul Lam, and Carina Lau, Louis Koo, Anita Yuen, and Aaron Kwok also came on stage to present awards.

The only ones left are Sammo Hung who received the award, Sammi Cheng and Tsui Hark who presented the awards.

I almost don’t know the other people.

Although actress Yu Xiangning is only 30 years old this year, she seems to have a promising future.

However, her past works rarely go outside the small circle of “Hong Kong”.

Pi Ge searched around in his brain and could barely remember the film “The Seven” that was shortlisted for Cannes.

Best Supporting Actress Liang Yongting, the total number of works is not enough for one finger.

Not to mention it has any reputation in the mainland.

A film like “Goldfinger” that was scorned by the public became the biggest winner, winning 6 awards (including the heavyweight Best Actor).

The entire Academy Awards were almost dominated by “Under the Sun” and “Goldfinger.”

At the beginning, Carina Lau also made fun of the “starlight” on the scene, but now it feels more and more like she is speaking ironically.

Carina Lau, who has been in the Mainland all year round and has made countless commercial movies, naturally knows where the future of Hong Kong movies is.

But after so many years, Hong Kong movies are still enjoying themselves in their own territory and are stuck in their ways.

You may not know it well, but to be shortlisted for the Academy Awards, you must meet three stringent conditions (at least 2 of them):

The director must be a Hong Kong permanent resident, at least one of the production companies must be a Hong Kong company, and at least six project staff must be Hong Kong permanent residents.

So far, this condition has never changed with the times.

If we say that conditions like these in the 1980s could guarantee the “pure blood” of Hong Kong films.

Today, that is tantamount to the physical castration of Hong Kong films.

The biggest problem with Hong Kong movies is actually known to most filmmakers.

On the one hand, there is the older generation of Hong Kong films, which have not yet come out of the glorious spring and autumn dream of Hong Kong films, and maintain a vague rejection and hostility towards works from other regions, especially those of mainland origin.

But at the same time, Hong Kong films themselves have not achieved upgrading in film production or talent flow with the times.

The arrogant attitude and film works that have not kept up with the times have become negative labels for Hong Kong films that cannot go away.

They do not admit that they are out of step with the times, and they have no intention of introducing new blood.

This has led to a “lack of supply” in both talent and industry, which is an unchangeable fact.

On the other hand, the stories created by Hong Kong filmmakers are mostly concentrated in the small circle of Hong Kong, and they do not want to go out or bring in.

Last year’s “Corridor of Justice” and “Youth in the Day”, and this year’s “The Tongue” and “Under the Sun” are very similar in terms of subject matter and shooting techniques.

Most Hong Kong films are now self-produced and sold.

This is also the reason why we cannot see many high-reputation and good movies.

When it comes to Best Actress and Best Supporting Actress at the Academy Awards, most viewers are just as confused as Pi. This is the best evidence that Hong Kong films cannot go global and are stuck in their ways.

The blockage in communication has caused audiences around the world to look down on Hong Kong films and even boycott them.

Wang Jing said that there are no Hong Kong movies, only Chinese movies.

How should Hong Kong movies develop? The group of filmmakers who finally went north have actually walked off the broad road.

1.4 billion viewers are the best communication carrier.

We share the same culture, the same interests, and the same goals and expectations for film art.

Since the mainland can tolerate Hong Kong films, Hong Kong stars, and any niche culture and pop culture from Hong Kong, why can’t Hong Kong films go global?

In the past 20 years, Hong Kong films have almost been in decline.

Nowadays, there is almost no room for even a film with mainland elements.

If this continues, there will be no way out for Hong Kong films.

Even at the 43rd or even the 430th Academy Awards, if Hong Kong films are still like this, no one can save Hong Kong films.

It’s time for all Hong Kong filmmakers to think carefully.

If this continues, the real end of Hong Kong movies may not be far away.

–>

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